Mixing · Mastering · Composition
For artists who trust their sound. Music that breathes, moves and stays true to itself.
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Mixing · Mastering · Composition
For artists who trust their sound. Music that breathes, moves and stays true to itself.
Philosophy
I love working with artists who write their own songs, play their own instruments and have something real to communicate. What I care about is not making everything louder — it is making sure what you recorded reaches the listener the way it sounded in your head.
Dynamics are not a mistake: the silences and lighter parts are as much a part of the track as the densest moments. Destroying the dynamics to reach maximum loudness is not the philosophy of this studio — and not that of the artists who choose to work here.
Whether it is a bare acoustic record, a dense cinematic arrangement or anything in between — I bring the same care and attention to every session.
Before & After
Listen to the difference across these 8 tracks. The first 4 are stems before and after mixing, the last 4 are full songs before and after mastering. All the music you will hear here was produced from scratch for my clients — instrumentation, arrangement, vocal direction, everything.
Mixing
Mixing — Drums
Real Drum Recording
Mixing — Vocals
Male Choir — A Cappella
Mixing — Vocals
Male Chorus & Backing Vocals
Mixing — Vocals
Female Solo — Angelic Reverb
Mastering
Mastering
Art Rock
Mastering
Pop Rock Ballad & Orchestra
Mastering
Post Metal
Mastering
Synthwave
Services
Complete professional stereo mix of your track. Two revisions included, stems available on request.
Start a projectMastering that translates across all platforms — streaming, vinyl, anywhere — without touching the dynamic character of your recording.
Start a project— saving €20
A complete package where I handle both the mix and the master of your track. It is the option that gives me the most creative freedom and allows us to reach the best result in the shortest time.
Start a projectNot sure where to start? I can work with you from the beginning — I help you figure out which instruments to use and we build the arrangement together. I can guide you through vocal harmonisation and follow the entire process through to the end. Every project is different, every project is its own thing. Get in touch!
Original scores for film, short film, documentary and videogames. Every project is different — get in touch and we can talk about it!
One-on-one online lessons covering music production, mixing, mastering, DAW workflow, sound design and recording. Tailored to your level and your goals — whether you are starting from scratch or want to refine a specific skill. €40/hour.
One-on-one online lessons in music theory, harmony, rhythm, arrangement and composition. Suitable for songwriters, producers and instrumentalists who want to develop their musical thinking and write with more intention. €40/hour.
All prices are final. No additional costs.
Credits
Band — Self Produced
Coordinate
Post rock / post metal. Full album, 8 tracks — composition, arrangement, production, recording, mixing and mastering. Released.
Artist — Producer
Distaccato
Italian singer-songwriter. 8 tracks produced — instrumentation, arrangement, vocal direction, full production from scratch. Upcoming release.
Videogame
OverRoot
Original soundtrack — PC, available on Steam.
Short Films — Complete Audio
Five Short Films
Complete audio post-production — original score, sound design, voice actor direction and recording — for four short films: Alle Favole si Crede di Notte, La Grande Quercia, Wanna Play?. For L'Immortale: music production, voice acting recording and full audio mix — score by a third party. For Cronache 2037: full band recording and complete production of Padania by Afterhours — drums, guitar, bass, piano and ambient pads recorded live in studio, re-arranged for male and female voices with original vocal harmonies.
FAQ
Once we confirm the project I will send you a complete guide with instructions for the most common DAWs. In short: export each instrument as a separate WAV file, 24 bit, minimum 48,000 Hz, all starting from bar 1, with no processing on the master bus (watch out if you use FL Studio — many templates have a limiter inserted on the master that often goes unnoticed). Then send everything via WeTransfer or Swisstransfer to studio@pleraxis.com.
Every mix includes two rounds of revisions. A revision means adjustments based on your feedback — level balances, tonal changes, spatial decisions. It does not mean a complete re-mix. In practice, most projects are resolved within the first or second round. If you need additional revisions beyond the two included, we can discuss it case by case.
Turnaround time depends on the current workload and the complexity of the project. Typically a single song mix takes 5 to 10 working days from the moment I receive a well-prepared session. Mastering is usually faster, around 3 to 5 days. If you have a specific deadline, let me know in the contact form and I will confirm whether I can meet it before we start.
No — but the quality of the source material directly affects the result. A mix can enhance and balance what is there, but it cannot replace something that was never captured. If you recorded at home, that is absolutely fine. Just make sure the performances are solid and there is no severe clipping or noise issues. If you are unsure, send me a rough mix first and I will give you an honest assessment before we commit to anything.
Payment is by bank transfer. I will send you my IBAN along with a formal receipt once the project is confirmed. Files are delivered after payment. For larger projects we can agree on a deposit upfront and the remainder on delivery.
A high-resolution WAV (24 bit, 48,000 Hz) ready for distribution and streaming. If you need a specific loudness target for Spotify, Apple Music or YouTube just let me know. Stems are available on request, as are files in FLAC, MP3 and OGG format.
My approach works best with music that has a strong artistic identity — singer-songwriter, rock, metal, folk, indie, alternative, acoustic, cinematic. If in order to reach maximum loudness you want to destroy the dynamics, then I am probably not the right engineer for you — and I will tell you honestly.
After you write to me I get back to you within 48 hours. We have a first chat — about your project, what you are looking for, your references and your deadline. If it makes sense for both of us I send you a clear quote with no surprises, the guide to send me the files, and we set a start date. From there I work on the project and keep you updated. Nothing complicated — just clear steps from the first message to the finished track.
Contact
Tell me about your project. I'll get back to you within 48 hours.
studio@pleraxis.com✓ Message sent — I'll be in touch within 48 hours.